Christoph Draeger
Draeger’s work examines our culture’s fascination with looming disasters ranging from self destructive pop figures to historical atrocities and the effect that contemporary media has on this. The products of modernism and technology afford us an escape, though are in essence also what we are fleeing from.
Education
1965 Born in Zurich, Switzerland
1986 -1990 School of Visual Arts Luzerne, Switzerland
1990 – 1991 Ecole Nationale Superieure des Arts Visuels de la Cambre, Brussels, Belgium
Selected Solo Exhibitions:
2009 Bro_ken, Galerie Luciano Fascati, Chur, Switzerland
Cow Maze, Frohe Aussicht und Kunst, Samstagern, Kt Zurich, Switzerland
The End of Remake: Tropolicalia, CCA, Centre of Contemporary Art
Ujazdowskie Castle, Warsaw, Poland
El Fin, Y Gallery, Jackson Heights, New York, USA
2008 The End of the Remake, Roebling Hall, New York
Music is the healing force of the universe, Catherine Clark Gallery, San Francisco
Oil Paintings, Galerie Anne de Villepoix, Paris
2007 Helenes, Living Room, Cologne, Germany
Black September, Monty Antwerpen, Belgium
Le Radeau de la Macumba, Bonlieu, Annecy, France
Rough Air, Amberg & Marti, Zurich
Amberg&Marti, Zurich, Switzerland
Imagespassages, Mus�e du Chateau d�Annecy, France (March, curated by Annie Auchere Agueltaz)
2006 Old Works, Galerie Anne de Villepoix, Paris
The future’s bright, the future’s black, Out of Disaster Festival
Brotfabrik, Berlin (curated by Petra Schroeck)
2005 Munich, Susanne Vielmetter Projects, Los Angeles
The Brazil Project, Roebling Hall, New York
Constructio Infernalis, mullerderchiara gallery, Berlin
White Cube, Umea, Sweden
2004 New Landscapes, Catharine Clark Gallery, San Francisco
Damnation Road, The Kitchen, New York
2003 Memories of Terror From A Safe Distance, Kunstmuseum, Solothurn
Black September, Art Unlimited, Basel
Tueur Ne, Galerie Anne de Villepoix, Paris, France
Black September, Roebling Hall, New York
2002 Beaufort 12, Expo 02, Arteplage, Neuchatel, Switzerland
The Last Rider, Kunsthalle Fri-Art, Fribourg, Switzerland
Akus Gallery, Eastern Connecticut State University, Willimantic, USA
Black September, Galerie Muellerdechiara, Berlin, Germany
2001 If you lived here you would be dead now, Roebling Hall, Brooklyn
Crash, Asbaek Gallery, Copenhagen
Them or Us, European Media Art Festival, Osnabreuck, Germany
2000 Inundacions, CCCB, Centre de Cultura Contemporania, Barcelona, Spain
Voyages, Galerie Urs Meile Luzern, Switzerland
Teenage Riot, Halle fur Kunst e.V., Luneburg, Germany
Tueur ne/Natural Born Killer, Le Parvais, Centre d’Art Contemporain, Ibos- Tarbes, France
St. Gervais, Centre pour l’image contemporaine, Geneva
Apocalypso Place / Fall Season, Kunsthaus, Zurich, Switzerland
Going All The Way, Kunstforum Baloise, Basel, Switzerland
Crash, Le Parvis, Centre d�Art Contemporain le Clerc, Pau, France (curated by Sylvie Froux)
1999 Apocalypso Place, LiebmanMagnan Gallery, New York, New York
CRASH, Foerderkoje, Galerie Urs Meile, Art Cologne, Germany
Lakehurst NJ, Zeppelinmuseum, Friedrichshafen, Germany
Action//Time//Vision (Alternative TV), Orchard Gallery, Derry, Northern Ireland
Yellow and Red, Institute for Contemporary Art, Dunauvarnos, Ungarn, Germany
Out of the Blue-Into the Black, Damasquine Gallery, Brussels
1998 New York – Serneus retour, Kulturhaus Rosengarten, Gruesch, Switzerland
Make Believe, Stalke Gallery, Copenhagen, Denmark
Puzzled Statements, Galerie Urs Meile, Art 29, Basel, Switzerland
OEL, Galerie Urs Meile, Luzern, Switzerland
NB, Kunsthalle, St. Gallen, Switzerland
1996 How Far You Are, Passage Placette, Belluard Fribourg, Switzerland
It’s the end of the world as we love it, Shed im Eisenwerk, Frauenfeld, Switzerland
1994 M.U.S.E.U.M , Kunstmuseum Luzerne, Switzerland
1993 Critical Distance, ADO Gallery, Antwerp, Belgium
Schleutelwerken, Galerie Fons Welters, Amsterdam, Holland
1991 SOLO, Etablissements d’en Face, Brussels, Belgium
Selected Group Exhibitions
2010 manMADE, Holster Projects, London
The Way Things Are, Video Abierto, Murcia, Spain
That’s All Folks! Stadshallen, Bruges, Belgium
2009 Darkside II, Fotomuseum Winterthur,
The Threshold of the Noosphere, Tina B. Festival, Prague
Theatre of More, White Box, New York
Bilderschlachten – 2000 Jahre Nachrichten aus dem Krieg, EMAF European Media Arts, Festival, Osnabruck, Germany
Image Search, P.P.O.W., New York, NY
Chelsea visits Havana, Museo Nacional de Bellas Artes, part of the 10th Havana Biennial, Cuba
Any similarity to actual events or characters is purely coincidental, Photo London
Belvedere, Galerie Luciano Fascati, Chur
Re-playing Pictures, Musee des Beaux-Arts du Locle, Switzerland
2008 Remakes, Gijon, Spain
Interstitional Zones. Historical Events, Media Representaion and Figures of Dis/appearance, Argos Centre, Brussels
Double Vue, ArtCHENE 2008, 3eme Bienale d’art en ville, Chene-Bourg / Geneva
Conceptual Art from California, NBK – Neuer Berliner Kunstverein, Berlin
Brandstiftung, K3, Zurich
UnStern, Sinistro, Desastro, ACC Galerie, Weimar
Tonight forget about your cars and houses, Union Gallery, London
Strom des Vergessens, Atkienkeller, OK Centrum fur Gegenwartskunst, Linz
Leinzell Open. Again, Silvia und Helmut Wickleder Stiftung, Schloss Leinzell
Lucifer;s Greatest Artwork, FRED, Leipzig
Katastrophenalarm, NGBK, Berlin
Tlateloco and the localized negotiation of future imaginaries, New Museum, New York
YAQ, La Planta, Guadalajara, Mexico
2007 The Landscape of War, San Jose Institute of Contemporary Art, San Jose, USA (curated by Anne Birle Veh and Cathy Kimball)
Museum as a Hug, New Museum, New York, USA (curated by Jorge Munguia and Tobias Ostranger/Tamayo Museum, Mexico D.F)
BIM, 12e Biennale de l’Image en Mouvement, BAC, Batiment d’art Contemporain, Geneva Switzerland
Red Badge of Courage, The National Newark Building, Newark, New Jersey, USA (curated by Omar Lopez-Chahoud)
Crash. Pause. Rewind. Missoula Art Museum, Missoula, MT, USA (curated by Eric Frederickson)
Final Cut-Medienkunst und Kino, European Media Art Festibal, Osnabrueck, Germany (curated by Hermann Noering)
Fluchtwege und Sackgassen/Exits and Dead Ends, Festival der Regionen, Oberïsterreich, Austria
Last News, Centrum Sztuki Wspolczesnej/ The Centre of Contemporary Art Laznia, Gdasnk, Poland
Mïtiers 2007-Art en plein air, Mïtiers, Switzerland
Reality Crossings, 2. Fotofestival Mannheim/ Ludwigshafen/ Heidelberg, Germany (curated by Christoph Tannert)
2006 Chocolate, Carrillo Gil Museum, Mexico City (curated by Jose Springer)
The Culture of Fear, ACC Galerie, Leibzig, Germany (curated by Frank Motz)
Un nuevo y bravo mundo, Alcala 31, Madrid, Spain (curated by El Perro) (catalogue)
2005 11ieme Biennale de image en mouvement, Focus_Christoph Draeger, Centre de l’Image Contemporain, Geneva, Switzerland (curated by Andre Iten)
Reality, Gallery Kirke Sonnerup, Copenhagen, Denmark
Social Insecurity, Catharine Clark Gallery, San Francisco, USA
2004 In extremis, Abattoir, Muse d’Art Contemporain, Toulouse, France Printemps de Toulouse (curated by Pascal Pique and Jean Marie Bustamante)
2003 Categories Post-Veritï, Centro Parragï, Murcia, Spain (curated by Bert Sichel)
American Dream, Ronald Feldman Gallery, New York, USA
2002 Intimate, Paco des Artes, Sao Paolo, Brazil (curated by Daniela Bousso)
2001 Unter Wasser, Museum Belrive, Zurich, Switzerland (mit Martin Frei)
2000 Grauer Star, Kunstmuseum Chur, Switzerland (catalogue)
Selected Public Collections
Centre Pompidou, Paris
Frac PACA, Marseille
Whitney Museum of American Art, New York, New York
Brooklyn Museum, New York
Kunsthaus Zurich, Switzerland
Buendner Kunstmuseum, Chur, Switzerland
Kunstmuseum Luzern, Switzerland
City of Chur, Switzerland
St. Gervais, Centre pour l’image contemporaine, Geneva, Switzerland
Musée d’Art et Histoire, Neuchatel, Switzerland
Kunstmuseum, Bern, Switzerland
Kunstmuseum Solothurn
Communauté francaise, Brussels, Belgium
Selected Private Collections
West Collection at SEI Investments, Oaks, Pennsylvania
Collection of Robert Chaney, Houston
Western Bridge, Seattle, WA
Collection of Baloise Insurances, Basel, Switzerland
Collection of Winterthur Insurances, Zurich, Switzerland
Collection Ringier, Zurich, Switzerland
Bibliography
Monographs
“M.U.S.E.U.M.”, 1994. Catalogue Kunstmuseum Luzern (with ©usa-united swiss artists), Text by Hanspeter Wittwer
“Critical Distance – OCI and Christoph Draeger”, 1993. Catalogue ADO Gallery Antwerp and Fons Welters Gallery, Amsterdam (with OCI Office for Cultural Intellegence), Text by Martin Frei
“NB, New York-Berlin”, 1997. Catalogue Kunsthalle St. Gallen (w/Biefer-Zgraggen). Text by Pierre-Andre Lienhard, Hat der Weltuntergang schon stattgefunden?, 1998
“Disaster Zone”, 1999. Catalogue Orchard Gallery Derry/ Zeppelinmuseum Friedrichshafen/ Kulturhaus Rosengarten, Grüsch. Texts by Daniel Binswanger: Zur Lokalisierung der Endzeit/ Patraig Timonee: Good Old Douglas Bader, Bad Old Andreas Baader/ Dr.Dirk Bluebaum : Die Sicherheit des Risikos/ Trans Press NY
“Toutou, Tueur né/ Apocalypso Place”, 2000. Catalogue Halle für Kunst, Lüneburg and Centre d’art contemporain Ibos-Tarbes. Texts by Sylvie Froux, Bernd Milla and Heike Munder/ Revolver Press, Frankfurt
“Memories of terror from a safe distance”, 2003. Catalogue Kunstmuseum Solothurn. Texts by Christoph Tannert and Katharina Ammann/ Revolver Press, Frankfurt
Articles
Luk Lambrecht, “Solo – Etablissement d’en face, Brussels,” DeMorgen, 9/1991. Catalogue Members Only, Charles Poy Gallery, Barcelona, Spain
Catalogue, Critical Distance-OCI and Christoph Draeger, text by Martin Frei, ADO Gallery Antwerp, 1993
Jean-Paul Jaquet, “voyages apocalyptiques,” Etant donné, Brussels, 5/1993
Catalogue Preisträger Bundesstipendium, Musée d’Art et Histoire, Neuchâtel
Lino Polegato, “Construire la destruction,” Flux News, Liege,9/1993
Catalogue, Prospectus, Laeken-Brussels, curated by Phillipe Braem
Catalogue Attitudes, Geneva, 1994
Margaret Jardas, “4 junge Schweizer-Filiale Basel,” Basler Zeitung, 3/95
Thomas Seelig, “Christoph Draeger,” Pakt-Zeitschrift für zeitgenösische Kunst, 1/96
Catalogue Bounds of Boundlessness, NGBK, Berlin
Paolo Bianci, “Apokalyptische Reisen,” Kunstforum 137, 6/97
Christoph Doswald, Interview, Facts 12/97
Catalogue Young Art, Mamco, musée d’Art contemporain, Geneva (curated by Lionel Bovier)
Catalogue Speed, 2nd Biennal, Kwangju, Korea* (with Martin Frei, curated by Harald Szeemann)
Catalogue Reservate der Sehnsucht/Zones of Desire, Unionbrauerei, Dortmund (curated by Hardware)
Catalogue Biennale de l’image: De tres courts espace de temps, Centre natiaonale de la photo, Ecole des Beaux-Arts, Paris, France
Pierre-Andre Lienhard, “Hat der Weltuntergang schon stattgefunden?”, catalogue NB, 12/98
Edith Arnold, “Immer modischer,” Interview, Neue Luzerner Zeitung, 3/98
Maria Vogel, “Aestetisch untadelig vorgefuehrte Katastrophen,” Neue Luzerner Zeitung, 4/98
Cecile Bourne, “Feel Lucky, Punk??!,” catalogue Biennale de l’image Paris, 1998
Pascal Beausse, “Zoe Beloff/Christoph Draeger After-images,” Art Press 235, 5/98
Gerhard Mack, “Heulende Sirenen im Telekolegg,” NB-Kunsthalle St. Gallen, Tagblatt 2/98
Samuel Herzog, “Schaschlik aus Half Brain und Dirty Harry,” videoforum ART 29, Basler Zeitung 6/98
Catalogue “Make Believe”, Christoph Doswald, “Make Believe: Artistic Self-Assertion in the Age of Autopoetic Simulation,” Stalke Gallery, Kopenhagen, 1998
Gerhard Mack, “Seine Kunst ist eine einzige Katastrophe,” CASH, 8/98
Gisela Kuoni, Christoph Draeger/Martin Frei bei Luciano Fascati, Kunstbulletin 9/98
Gisela Kuoni, Leben auf dem Vulkan, Buendner Zeitung, 8/9/98
Peter Masüger, Katastrophen und Klischees, Buendner Tagblatt 30/9/98
Werkgespraech mit Dorothea Strauss, catalogue Galerie Luciano Fascati, Chur Oct 98
Gisela Kuoni, Die Katastrophe als Kunstwerk, Buendner Zeitung, 18/9/98
Gisela Kuoni, “Von Katastrophen im Prättigau,” Buendner Zeitung 10/98
Peter Masüger, ”NY-Serneus-retour,” Buendner Tagblatt 11 98
Catalogue “Cinema, Cinema”, , Van Abbe Museum Eindhoven 2/99
Catalogue Playtime, Magasin, Grenoble
Bernhard Marcelis, ”Christoph Draeger/Galerie Damasquine,” Artpress 246, 5/99
Catalogue “Art At Ringier 1995-1998”, Beatrice Ruf, “Christoph Draeger,” 99
Marius Leutenegger, “Christoph Draeger: Un Ga Nai-Bad Luck,” Feature in Hangar 21, 6/99
”Action/Time/Vision,” The Guardian, 7/99
Patraig Timonee, ”Christoph Draeger/The Orchard Gallery,” Art Monthly, 9/99
Catalogue “Disaster Zone”, monograph, Orchard Gallery Derry/ Zeppelinmuseum Friedrichshafen, Kulturhaus Rosengarten Grüsch; texts by Daniel Binswanger, “Zur Lokalisierung der Endzeit,”/ Patraig Timonee, “Good Old Douglas Bader, Bad Old Andreas Baader”/ Dr.Dirk Bluebaum, « Die Sicherheit des Risikos »
Catalogue Cinema, Cinema – the Cinematic Experience, Stedelijk Van Abbe Museum, Eindhoven (curated by Marente Bloemheuvel and Jaap Guldemond), text Christoph Doswald, “Apocalypse, Now?”
Beat Stutzer, ”Die Aura des Todes als Bildthema,” Die Südostschweiz, 9/99
Johannes Hedinger, Horrorskop, Saiten, St. Gallen, 11/99
”Christoph Draeger, Apocalypso Place,” Contemporary Visual Arts #26, London, 12/99
Joyce Korotkin, “Christoph Draeger&Reynold Reynolds @ LiebmanMagnan Gallery,” NY Arts, New York, 1/2000
Kim Levin, “Christoph Draeger,” ShortList, Village Voice, New York 1/18/00
Phil Johnson, “Christoph Draeger & Reynold Reynolds,” Art Guide, New York Times, 1/14/00
Frank de Neeve, Zwitserse ramptoeristen in Japan, de Filmkrant, Holland, 2/00
Catalogue Katastrophen & Desaster, Folkwang Museum Essen, text Sabine Russ, “Spiel mit dem Ernst”
Catalogue Domiciles, Centre d’Art Tanlay, Perrigny,(curated by Jaques Py)
Catalogue The Body of Art, Bienal de Valencia, Spain (curated by Archile Bonita Oliva)
Catalogue Unter Wasser, Museum Belrive, Zurich
Jaqueline Frank, “Unglückspuzzle,” Basler Zeitung, Basel, 2/00
Catalogue Toutou, monograph, Tueur né/Natural Born Killer, Le Parvis, Centre d’Art contemporain, Ibos-Tarbes, France (curated by Sylvie Froux)/ Teenage Riot, Halle für Kunst, Lüneburg 2001 (curated by Heike Munder and Bernd Milla)
Phillip Kaiser, “Going All the Way,” EIKON, Vienna, 5/00
Catalogue Endtroducing, Villa Arson, Nice, France (curated by Laurence Gateau)
Rainer Ganahl, “Apocalypso Place,” Zing Magazine, New York, 6/00
Chus Martinez,”Un Ga Nai-Bad Luck-Mal Suerte,” TRANS 7, 5/00
“Voyages Apocalyptiques,” Feature, List Magazine #1, New York, 6/00
Heather Stephens, “The Power of Nature,” Feature, www.studio-visit.com, 9/00
Barbara Basting, ”Katastrophenlust, latenter Zynismus,” Tagesanzeiger Zurich, 13/9/00
Ludmilla Vachtova, ”Optische Attacken auf die Klassiker,” Weltwoche 9/00
”Draeger et Reynolds font des rêves d’apocalypse,” La Liberté, 23/9/00
David Signer, ”Trashkunst gegen die Einsamkeit,” Magazin, 23.9.00
Nina Gülicher, “Vom Pendeln in den (Film- und Spiel-) Realitäten, blitzrevue.de, 9/00
André Iten, Fascination morbide?”, L’HEBDO, 5/10/00
Marie-Louise Nigg, “Sintflut mit Groove und Funfaktor,” Zürichsee Zeitung, 7/10/00
Dunja Stacovitz , ”The Vanity of Bonfires,” Feature, Style Magazine, Berlin, 11-12/00
Claudius Seidl, ”Nach dem Weltuntergang,” Feature, Süddeutsche Zeitung-Magazin, 30/3./01
Christoph Doswald, “Kritische Reflexionen über Medien und Katastrophen,” Bilanz/Art Guide, 01
Catalogue Wald/Explosionen, Helmhaus Zurich (curated by Simon Maurer)
Jerry Saltz, “Screen Savers/LITE,” Village Voice, 7/01
Kim Levin, “Only the Best-Fall Arts Preview,” Village Voice, 11/01
Gary Schwan, “Museum Head: Video must go on,” Palm Beach Post, 12/9/01
Holland Cotter, “When reality overtakes art,” New York Times, 9/01
Martin Suter, “Von der Wirklichkeit überholt,” 11/01
Sarah Bayliss, “New York artists recover and regroup,” Boston Globe, 7/10/2001
Lars Movin, “Disaster World,” Information, Denmark, 23/10/01
Stefan Lüddemann, “Statt der Pfeile treffen Flugzeuge den heiligen San Sebastian,” Osnabrücker Zeitung, 26/10/01
Monica Sanchez Argiles, “Christoph Draeger. Declive y Renacimiento,” Lapiz, 178, 12/01
Catalogue Big Social Game, 2nd Torino Biennial, Torino (curated by Michelangelo Pistoletto)
Jeff Hughes, “Destroy and Reclaim,” New Art Examiner, 5/02
Catalogue Night Vision, University Art Gallery, Normal, Illinois (curated by Joy Garnett)
“Self-Portrait,” Tema Celeste, 7/02
Kathy Battista and Mark Morris, “Thinking Small,” Contemporary, 12/02
Catalogue Intimate, Paco des Artes, Sao Paolo, Brazil (curated by Daniela Bousso)
“Mouvement, ” Culture Contemporaine, 3-4/03
Catalogue Urban Diaries, Alcala 31 Contemporary Art Center, Madrid
(curated by Sabine Saschl and Martin Schwander)*
Review, The New Yorker, 3/11/03
Blake Gopnik, “Armory Fair: Standouts In a Crowd,” Washington Post, 3/13/03
Daniel Kletke, “Kunst und Gewalt,” Kunst und Kirche, 7/03
Catalogue “Memories of terror from a safe distance”, monograph, with texts by Christoph Tannert and Katharina Amman
Catalogue GameArt, Weltkulturerbe Stahlwerke Völklinger Hütte, Völklingen, Germany*
Roland Ducommun, “Die Faszination von Terror und Katastrophen,” Solothurner Tagblatt, 15/09/03
Eva Ruhrfeind, “Schreckensbilder-Katastrophen aus sicherer Distanz,” Aargauer Zeitung/Oltener Tagblatt/Solothurner Zeitung, 15/09/03
Konrad Tobler, “Terror-aus sicherer Distanz,” Solothurner Tagblatt, Thuner Tagblatt/Berner Zeitung/Berner Oberländer, 23/09/03
Hans Baumann, “Katastrophen zwischen Abbild und Fiktion,” Der Bund, 23/09/03
Annelise Zweks, “Verführung oder Entlarvung?” Bieler Tagblatt, 2/10/03
Claudia Spinelli, “Konsumierbare Katastrophen,” Weltwoche 41, 2003
“Kunstmuseum Solothurn: Christoph Draeger,” Basler Zeitung, 18/10/03
“Kunstmuseum Solothurn: Christoph Draeger,” Magazin, 10/03
“Aus sicherer Distanz,” Neue Zürcher Zeitung, 1/11/03
Catalogue MAD 03, Segundo Encuentro de Arte Experimental, Madrid
Audrey Mascina, “Apocalypse Culture; Reynold Reynolds and Christoph Draeger,” Blast #9, 10/03
Catalogue Categories Post-Verité, Centro Parragà, Murcia (curated by Bert Sichel)
Kenneth Baker, “Christoph Draeger’s jigsawed photos of tragedies give viewer lots to puzzle over,” San Francisco Chronicle, 09/25/04
Catalogue Playlist, Palais de Tokyo, Paris, France (curated by Nicolas Bourriaud)*
Catalogue Open House: Working in Brooklyn, Brooklyn Museum, New York (curated by Charlotta Kotic)
Catalogue In extremis, Abattoir, Musée d’Art Contemporain, Toulouse – Printemps de Toulouse*
(curated by Pascal Pique and Jean Marie Bustamante)
Das Magazin, Feature “voyages apocalyptiques”, 22.1. 2005
Max Glauner, “Kartographien des Horrors-Christoph Draeger inszeniert das Unheimliche”, Zitty, Berlin, 3.2.05
TAZ, Brigitte Werneburg, Constructio Infernalis, 26.1.2005
Mentaler Terror, Peter Herbstreuth rechnet mit dem Gröbsten, Tagesspiegel, 22.1.2005
Catalogue Die RAF Ausstellung, Kunstwerke KW, Berlin and Neue Galerie, Graz (curated by Klaus Biesenbach and Elena Blumestein)*
Catalogue Greater New York, P.S 1/MOMA, New York (curated by Klaus Biesenbach)
Catalogue “Reprocessing Reality”, Chateau de Nyon-P.S.1/MOMA, New York, edited by Claudia Spinelli
Catalogue “Spielräume”, Wilhelm Lehmbruck Museum
Catalogue Documentary NOW!, TENT. Centre for Visual Arts, Rotterdam
Catalogue After the Fact, 1st Berlin Photography Festival 2005 (curated by Jan-Erik Lundstroem)
Ken Johnson, Christoph Draeger and Gary Breslin at Roebling Hall, New York Times Art Review
Flash Art, Review Roebling Hall show, May/June 2005
Catalogue “Feinmotorik Kompendium”, Lexikon der Feinmotorick, hg von Marc Matter, Maasmedia Vol.23, 2005
Attitudes 1994-2004, Jean Paul Felley & Olivier Kaeser, Edition Fink, 2005
“Focus_Christoph Draeger”, _11E Biennale de l’image en mouvement, Centre de l’image contemporain, Geneve, JRP Ringier, 2005
Feature, Sleek magazine, Berlin, March 2006
Catalogue “Un mundo bravo et nuevo-Brave New World”, Alcala 31, edited by El Perro, 2006
“Modellkatastrophen und das Puzzle der Rezeption”, Sebastian Baden, Die zerstörte Stadt, transcript press, 2007
“Stranded – Skulptur im Bezugsfeld von Reise, Migration und Flucht”, Feature, Springerin 2/07
“LIVE/DEAD”, feature, Nolens Volens Magazine, edited by Democracia, Madrid)
Catalogue “Fluchtwege und Sackgassen/Exits and Dead Ends”, Festival der Regionen, Oberösterreich (curated by Martin Fritz)